Above all, I would like to salute here the audacity of the Paris Opera, which, for its first Bernstein, did not choose the easy way, but the choice of sincerity. This is a very important step for the memory of Leonard Bernstein. and his only full-length opera, A Quiet Place (1983), was an outright failure. What does this entry by Leonard Bernstein mean to you? The bulk of Leonard Bernsteins first book, The Joy of Music (1959). The former musical director of the Opéra de Lyon, recently named conductor emeritus of the Orchester symphonique de Montréal, which he conducted from 2006 to 2020, did not hide his emotion at being able to present the latest opera in Paris of the one with whom he accompanied, as a pupil, the last six years. Unframed color poster for Leonard Bernsteins A Quiet Place & Trouble in Tahiti at Kennedy Center Opera House. choral works, opera, chamber music and works for the piano. Vienna State Opera, Paris Opera, Lyric Opera of Chicago, and San Francisco Opera. pianist and teacher Leonard Bernstein had a strong influence on American musical taste. Mauceri conducted the world premiere of Bernsteins A Quiet Place. Above all, I would like to salute here the audacity of the Paris Opera. Leonard Bernstein was an American conductor, composer, pianist, music educator, author. An American in Paris is one of Gershwins most vivacious works. Few operas come with as much backstory as ‘A Quiet Place.’ Bernstein. The Bernstein opera’s intense interludes recall those of Debussy and Berg, our ears now adept at counting twelve tones without fear while accepting the Tchaikovsky’s emotional urgencies with equanimity. A few days before the premiere of At Quiet Place, of Leonard Bernsteinat the Palais Garnier (and while awaiting the world premiere, under his baton, of Il viaggo Dante, by Pascal Dusapin, this summer in Aix-en-Provence), it is an enthusiastic and serene Kent Nagano whom we met after a rehearsal at the Opéra Bastille. A few days before the premiere ofAt Quiet Place, of Leonard Bernsteinat the. Maybe that was for the best, considering some of the reviews for New York City Opera’s new and eagerly anticipated production. A Quiet Place ’s first act challenges Verdi’s Falstaff in its wit, and Wagner’s Meistersinger in its choral complexities.
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